INVENTIVENESS AND COMMUNICATION: THEATER SIGNS IN THE CONCEPTION OF THE SCENIC ATMOSPHERE

Abstract

ABSTRACT During the pandemic needs, the theatrical performance went through new processes, in new possibilities of realization, as a result of health limitations. The present article intends to present the results obtained through the research “The Technique of Inventiveness through Études and the Scenic Atmosphere: In the Revisitation of Graciliano Ramos' Literature”, fruit of the PIBIC/CNPq/UFAL, which experimented with the online application of the method of etiud, from Konstantin Stanislavsky, in a study on the Scenic Atmosphere, according to Böhme (1993), and the symbolic decisions of the dramaturgy created for that, thinking about virtual and face-to-face montage, in an adaptation of the work of the Alagoan writer Graciliano Ramos. Both the Russian method and the conceptual studies on the art of the actor, theatrical direction and creative processes, with Ostrower (1996), were contributions to the creative processes, resulting in the show “Fricções”, which premiered as an audiovisual product in October 2021, and later, was improved for live performance. KEY WORDSScenic atmosphere, Dramaturgy, Etiud, Graciliano Ramos, Semiotics